i took my dress off ‘cause it made me think of you
of all your failed efforts to look away that sunday evening
of how your eyes kept undressing me with every glance
stripping away in your mind that dress I only bought
so you would
take it off
i took my nails off ‘cause they made me think of you
of the way your hands held mine and commented on my nail polish
‘you changed it’, you said, as if that was important
you think i don’t know you only wanted
to hold my hands
i took my eyes off ‘cause they made me think of you
of the deep ocean of your eyes looking back into the night sky of mine
of all the unsaid things your eyes have told me against your wishes
of the way they made me feel like the world had fallen away for a second
i took my head off ‘cause it made me think of you
rethink over and over every word that you’ve thoughtlessly said
‘i don’t know how i’ll do this without you’
or ‘i cannot see you go’ or
‘nothing is happening between us’
i took my heart off ‘cause it made me think of you
of the way it kept jumping every time you stepped into the room
of how hard it was for me to keep a straight face
when you said my name, or shouted my name in a crowd and my heart
skipped
a beat
i took my skin off ‘cause it made me think of you
of your hand on my thigh, of your head on my chest,
of your arms holding on to my waist like a castaway
of your breath so close, your voice a whisper
and now there’s nothing more of me to take away
except for this relentless, unforgiving thought
of you
Marianne Díaz Hernández (Altagracia de Orituco, Venezuela, 1985). Lawyer, writer and researcher in the intersection between human rights and technology. She has published: Cuentos en el espejo (Monte Ávila Editores, Caracas, 2008, winner of the Contest for Unpublished Authors of Monte Ávila Editores, Narrative), Aviones de papel (Monte Ávila Editores, Caracas, 2011) and Historias de mujeres perversas (El perro y la rana, Caracas, 2013, winner of the I Gustavo Pereira National Biennial of Literature, 2009), and has also been part of the compilations Antología sin fin (Escuela Literaria del Sur, 2013), Voices from the Venezuelan City (Palabras errantes, 2013) , and Nuevo País de las Letras (Banesco, Caracas, 2016). She co-founded the small press Casajena Editoras. Pieces of her work have been translated into English, French and Slovenian. She currently resides in Santiago de Chile.